More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Side 60
... audience view them as preserved objects . This , however , is quite liter- ally impossible — even if we had a firm notion of what the plays initially looked and sounded like , which we don't . The audience , like it or not , is part of ...
... audience view them as preserved objects . This , however , is quite liter- ally impossible — even if we had a firm notion of what the plays initially looked and sounded like , which we don't . The audience , like it or not , is part of ...
Side 141
... audience , become a dream audience . But Pyramus becomes oddly moving , too . " Beshrew my heart , but I pity the man , " says the Duchess , meaning the man Pyramus , not the man Bottom . Pyramus is a fic- tion in which Dream audience ...
... audience , become a dream audience . But Pyramus becomes oddly moving , too . " Beshrew my heart , but I pity the man , " says the Duchess , meaning the man Pyramus , not the man Bottom . Pyramus is a fic- tion in which Dream audience ...
Side 179
... audience , which accounts for the great popularity of these mentioned plays . The doctor is the anti - hero . The doctor is us . What I think we are dealing with most fundamentally in these plays is the intractable limits to knowledge ...
... audience , which accounts for the great popularity of these mentioned plays . The doctor is the anti - hero . The doctor is us . What I think we are dealing with most fundamentally in these plays is the intractable limits to knowledge ...
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance comedy conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree Tuesday upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York