More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Side 12
... Player delivers Aeneas ' speech ( presumably from a version of “ Dido and Aeneas ” ) , Polonius ( an amateur actor him- self ) is amazed to see the Player cry real tears , exclaiming , “ Look ! where he has not turned his color and has ...
... Player delivers Aeneas ' speech ( presumably from a version of “ Dido and Aeneas ” ) , Polonius ( an amateur actor him- self ) is amazed to see the Player cry real tears , exclaiming , “ Look ! where he has not turned his color and has ...
Side 14
... Player knows this , and so “ moves ” himself to deep feel- ing ( and therefore effective persuasion ) by wholly absorbing Aeneas ' ( and through Aeneas , ' Hecuba's ) motive . Through the Player's " acting , " and pursuit of the Aeneas ...
... Player knows this , and so “ moves ” himself to deep feel- ing ( and therefore effective persuasion ) by wholly absorbing Aeneas ' ( and through Aeneas , ' Hecuba's ) motive . Through the Player's " acting , " and pursuit of the Aeneas ...
Side 115
... Player to continue . At Irvine , other players took costumes and props from their trunk , and , mounting the upper stage , mimed the swordplay as the First Player spoke : Anon he [ Pyrrhus ] finds him [ Priam , ] Striking too short at ...
... Player to continue . At Irvine , other players took costumes and props from their trunk , and , mounting the upper stage , mimed the swordplay as the First Player spoke : Anon he [ Pyrrhus ] finds him [ Priam , ] Striking too short at ...
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York