Sleep happy, and wake happy!" And she kept At midnight, when the Bear went down, and broad Orion's shoulder lit the starry road, There came, careering through the opening halls, And now they have arriv'd, and think to fall To their dread meal, when lo! (for Jove sees all) The house is lit, as with the morning's break, And the dear children of Alcmena wake. The younger one, as soon as he beheld The evil creatures coming on the shield, And saw their loathsome teeth, began to cry The other, grappling, seized them by the nape Buckled and bound he held them, struggling wild; And so they wound about the boy, the child, That never teaz'd his nurses with a tear. Tir'd out at length, they trail their spires and gasp, Lock'd in that young indissoluble grasp. Alcmena heard the noise, and "Wake," she cried, The hilt he grasp'd in one hand, and the sheath All in an instant, like a stroke of doom, Returning midnight smote upon the room. Amphitryon call'd; and woke from heavy sleep His household, who lay breathing hard and deep; "Bring lights here from the hearth! lights, lights; and guard The doorways; rise, ye ready labourers hard!" He said; and lights came pouring in, and all The busy house was up, in bower and hall; But when they saw the little suckler, how He grasp'd the monsters, and with earnest brow Kept beating them together, plaything-wise, They shriek'd aloud; but,he with laughing eyes, Soon as he saw Amphitryon, leap'd and sprung Childlike, and at his feet the dead disturbers flung. Then did Alcmena to her bosom take Her feebler boy, who could not cease to shake. Soon as the cock, with his thrice-echoing cheer, Told that the gladness of the day was near, Alcmena sent for old, truth-uttering Tiresias; and she told him all this thing, And bade him say what she might think and do; "Nor do thou fear," said she, "to let me know, Although the mighty gods should meditate Aught ill; for man can never fly from Fate. And thus thou seest" (and here her smiling eyes Look'd through a blush) "how well I teach the wise." So spoke the queen. Then he, with glad old tone; With his broad heart to win his way to heaven; Purge his mortalities away with fire; And he shall mount amid the stars, and be And sent these den-born shapes to crush his destiny." PAULO AND FRANCESCA. FROM DANTE. IN THE TRIPLE RHYME OF THE ORIGINAL. In the fifth circle of his imaginary Hell, (through which he is conducted by the spirit of Virgil,) Dante sees the souls of Paris and Helen, of Semiramis, Cleopatra, Tristan, and other personages, real and fabulous, who had given way to carnal passions. Among them he observes those of two lovers, whose tragical end had afflicted the house of his friend and patron, Guido Novello da Polenta, Lord of Ravenna. He asks permission to speak with them; and out of excess of pity at the recital of their story, falls like a man struck dead. This is the beautiful and affecting passage in Dante, on which the author of the present volume, when a young man, ventured to found the Story of Rimini. He introduces it in the volume for the purpose of enriching his Stories in Verse, for even a translation cannot hinder it from doing that. Stories are told in many ways in going from mouth to mouth; and the reader will be good enough to consider the Story of Rimini as a detail of the particulars of a domestic event, given by a young man out of the interest which he has taken in what he has heard, but with no thought of competing in point of effect, or in any other point, with the wonderful summary, in the shape of which he first heard it. To recur to an illustration of another sort, he will add, from his Autobiography, that the "design" of his poem is "altogether different in its pretensions." It is "a picture, by an immature hand, of sunny luxuriance overclouded; not of a cloud, no less |