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Side 93
A hollow silence , then the faint wailing sound of women . Suddenly , a hand removes the elaborate cloth covering the wooden coffin ( obscuring Wanys and his brother for a second ) . A woman's shrill wailing cry pierces the silence .
A hollow silence , then the faint wailing sound of women . Suddenly , a hand removes the elaborate cloth covering the wooden coffin ( obscuring Wanys and his brother for a second ) . A woman's shrill wailing cry pierces the silence .
Side 117
The sound of a bell repeats . Gradually he lifts his head in pain . He looks at his empty hand , then towards the river . The river flows on peacefully , its purple surface filling the screen . Wanys rises up , wounded and tired ...
The sound of a bell repeats . Gradually he lifts his head in pain . He looks at his empty hand , then towards the river . The river flows on peacefully , its purple surface filling the screen . Wanys rises up , wounded and tired ...
Side 155
And then they have to really try to think on other levels of image and sound , besides just talking . Whereas in my case , I came from this other tradition of movement and sound with no dialogue : dance . I don't know what is going on ...
And then they have to really try to think on other levels of image and sound , besides just talking . Whereas in my case , I came from this other tradition of movement and sound with no dialogue : dance . I don't know what is going on ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women