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Side 163
The director of the cinema department gave me a crew , equipment and the equivalent of 3,000 DM for shooting ... I went to the northern part of Iran with enough film stock to shoot a 20 minute short ( enough to shoot at a 1/5 ratio ) .
The director of the cinema department gave me a crew , equipment and the equivalent of 3,000 DM for shooting ... I went to the northern part of Iran with enough film stock to shoot a 20 minute short ( enough to shoot at a 1/5 ratio ) .
Side 164
When the New Film Group was founded , I had already written the script of Still Life and I was ready to shoot . I had to find money . The friend who played the lead role in Far from Home , Houshang Baharlou , gave it to me .
When the New Film Group was founded , I had already written the script of Still Life and I was ready to shoot . I had to find money . The friend who played the lead role in Far from Home , Houshang Baharlou , gave it to me .
Side 165
had planned to be shooting . At that point , someone called from ... However , I was never able to resume the shooting of Time of Maturity . I shot a short about the second ... I was supposed to leave for Berlin to shoot Far from Home .
had planned to be shooting . At that point , someone called from ... However , I was never able to resume the shooting of Time of Maturity . I shot a short about the second ... I was supposed to leave for Berlin to shoot Far from Home .
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women