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Side 64
time is apt to produce at the spatial level if not the arabesque then something akin to it . However meticulously the eye tries to follow one at a time the individual figures of even an arabesque with no interlacing , it either skips ...
time is apt to produce at the spatial level if not the arabesque then something akin to it . However meticulously the eye tries to follow one at a time the individual figures of even an arabesque with no interlacing , it either skips ...
Side 130
Something powerful drove me to write , regardless of whether or not the film got produced . . . . Writing the script took about a year and ... I received some offers , with fantastic salaries , to design and produce the sets of films .
Something powerful drove me to write , regardless of whether or not the film got produced . . . . Writing the script took about a year and ... I received some offers , with fantastic salaries , to design and produce the sets of films .
Side 132
It is a social problem , that of a simple farmer taking his produce to market . Thieves rob him . He asks justice to take its course . But since justice is silent , he attacks it . He shouts in the face of power .
It is a social problem , that of a simple farmer taking his produce to market . Thieves rob him . He asks justice to take its course . But since justice is silent , he attacks it . He shouts in the face of power .
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women