Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 21,Oplag 1Indiana University Press, 1999 |
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Side 58
... means of disappearance then appearance at the other location , especially since the horse who stares at the self - immolation of the youth in Paradjanov's previous film , The Legend of Suram Fortress , is primarily a gaze rather than a ...
... means of disappearance then appearance at the other location , especially since the horse who stares at the self - immolation of the youth in Paradjanov's previous film , The Legend of Suram Fortress , is primarily a gaze rather than a ...
Side 78
... means of , them and in their center , or in their heart , as their very truth , there is the continuous ( le continu ) , that it continues . In addition to what , at times , produces meaning or non - meaning , there is that which only ...
... means of , them and in their center , or in their heart , as their very truth , there is the continuous ( le continu ) , that it continues . In addition to what , at times , produces meaning or non - meaning , there is that which only ...
Side 82
... means of its contrasts and its insistence on the framing — always the car , its windows , its doors , and the sides of the road , always on the verge of being out of focus ; but also and just as well the patient arrangement of ...
... means of its contrasts and its insistence on the framing — always the car , its windows , its doors , and the sides of the road , always on the verge of being out of focus ; but also and just as well the patient arrangement of ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna