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Side 70
Metaphor is usually based on ontology , derives from it ( a miserable kind of metaphor ) ; but in Paradjanov , metaphor precedes ontology , is more basic . Paradjanov's cinema is doubly a cinema of the image : because of its arresting ...
Metaphor is usually based on ontology , derives from it ( a miserable kind of metaphor ) ; but in Paradjanov , metaphor precedes ontology , is more basic . Paradjanov's cinema is doubly a cinema of the image : because of its arresting ...
Side 72
... medium of the art form in which they are working : they could and in a way ought to have indirectly reached this investigation simply by taking into ac- count the kind of temporality most characteristic of orthodox Islam : atomism .
... medium of the art form in which they are working : they could and in a way ought to have indirectly reached this investigation simply by taking into ac- count the kind of temporality most characteristic of orthodox Islam : atomism .
Side 157
And I went out with Tinka to shoot this kind of happy ending - this was my intention . We spent the whole day . . . The way I experienced it is that I couldn't get a shot that I liked : No . . . No. . . . We spent hours with me looking ...
And I went out with Tinka to shoot this kind of happy ending - this was my intention . We spent the whole day . . . The way I experienced it is that I couldn't get a shot that I liked : No . . . No. . . . We spent hours with me looking ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 21,Oplag 1 |
| Bidragyder | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Udgiver | Indiana University Press, 1999 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 15. jan 2010 |
| Eksporter henvisning | BiBTeX EndNote RefMan |