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Side 79
The filmmaker looks at this image . The filmmaker is the main character of the film ( if one may say so : he is the gaze that moves through the film , the gaze that constitutes the film in the double sense of being its subject and ...
The filmmaker looks at this image . The filmmaker is the main character of the film ( if one may say so : he is the gaze that moves through the film , the gaze that constitutes the film in the double sense of being its subject and ...
Side 141
A few weeks later , his companion also dreamt of Vincent van Gogh : he was in the guise of the American filmmaker Martin Scorsese ! Was that inflected by her having seen several days earlier Scorsese's segment around a painter in New ...
A few weeks later , his companion also dreamt of Vincent van Gogh : he was in the guise of the American filmmaker Martin Scorsese ! Was that inflected by her having seen several days earlier Scorsese's segment around a painter in New ...
Side 191
Contributors Shādī ' Abd al - Salām ( 1932-1986 ) is the filmmaker of The Night of Counting the Years , 1968. He was for many years the director of the Center for Experimental Film in Egypt . Serge Daney ( 1944–1992 ) is the author of ...
Contributors Shādī ' Abd al - Salām ( 1932-1986 ) is the filmmaker of The Night of Counting the Years , 1968. He was for many years the director of the Center for Experimental Film in Egypt . Serge Daney ( 1944–1992 ) is the author of ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women