Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 21,Oplag 1Indiana University Press, 1999 |
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Side 59
... feel that it is illegitimate to limit it to a psychological mode ; it should be viewed at an ontological level . How ... feeling that it can be moved or already moving it . It is only now that I moved the cup that I link the lipstick ...
... feel that it is illegitimate to limit it to a psychological mode ; it should be viewed at an ontological level . How ... feeling that it can be moved or already moving it . It is only now that I moved the cup that I link the lipstick ...
Side 137
... feel completely healed . “ Akhenaton " is one hundred percent ready to go . I only need eight months to finish the costumes , the sets and casting . Then I begin shooting right away . - 1985 - I have delayed for so long . I don't want ...
... feel completely healed . “ Akhenaton " is one hundred percent ready to go . I only need eight months to finish the costumes , the sets and casting . Then I begin shooting right away . - 1985 - I have delayed for so long . I don't want ...
Side 158
... feeling for me , because I have always felt a little displaced wherever I was . It's not that I feel at home in Israel ; I don't feel at home there at all . But I probably don't feel at home here either . I don't feel at home anywhere ...
... feeling for me , because I have always felt a little displaced wherever I was . It's not that I feel at home in Israel ; I don't feel at home there at all . But I probably don't feel at home here either . I don't feel at home anywhere ...
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna