Fra bogen
Resultater 1-3 af 37
Side 21
The image , if it shows itself ( imagination in imagination ) , can only constitute a regression in the hierarchy of lights , falling from the light of the heart to the light of the eye : " Know that the light of the gaze is ...
The image , if it shows itself ( imagination in imagination ) , can only constitute a regression in the hierarchy of lights , falling from the light of the heart to the light of the eye : " Know that the light of the gaze is ...
Side 58
of departure then appearance at his destination ( Ashik is ordered to close his eyes at the start of the transportation and to open them only at the destination ) ; or , as indicated in Ashik's subsequent account , by means of a flight ...
of departure then appearance at his destination ( Ashik is ordered to close his eyes at the start of the transportation and to open them only at the destination ) ; or , as indicated in Ashik's subsequent account , by means of a flight ...
Side 96
They follow his movement with their eyes . Uncle rises and hands a torch to the approaching Relative . The latter holds it firmly and passes on . Uncle turns and faces the two brothers . After a moment's silence : Uncle : Follow ...
They follow his movement with their eyes . Uncle rises and hands a torch to the approaching Relative . The latter holds it firmly and passes on . Uncle turns and faces the two brothers . After a moment's silence : Uncle : Follow ...
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women