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Side 60
... colored camel abruptly replaces a dark - colored one in Ashik Kerib ; in The Legend of Suram Fortress the young actress playing the character as a youth steps behind the aged actress playing her as an old woman , this indicating the ...
... colored camel abruptly replaces a dark - colored one in Ashik Kerib ; in The Legend of Suram Fortress the young actress playing the character as a youth steps behind the aged actress playing her as an old woman , this indicating the ...
Side 91
Eight archaeologists , clad in their dark suits and red tarbouches , sit around a conference - table in a visit hall . ... mouth that I may speak therewith ; and that I may follow my heart when it passeth through the fire and darkness .
Eight archaeologists , clad in their dark suits and red tarbouches , sit around a conference - table in a visit hall . ... mouth that I may speak therewith ; and that I may follow my heart when it passeth through the fire and darkness .
Side 96
Then Brother rises up behind Uncle and stands peering into the darkness before him . Uncle moves forward into a dark tunnel cut in the mountain - rock . Wanys touches ground , leaves the rope , and moves to his brother's side .
Then Brother rises up behind Uncle and stands peering into the darkness before him . Uncle moves forward into a dark tunnel cut in the mountain - rock . Wanys touches ground , leaves the rope , and moves to his brother's side .
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women