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Side 26
This is a narrative of great stylistic richness , of rare density in certain scenes ( particularly the one in which , on seeing Joseph , the women guests - enchanted — cut their fingers , proof of the irresistible beauty of the nubile ...
This is a narrative of great stylistic richness , of rare density in certain scenes ( particularly the one in which , on seeing Joseph , the women guests - enchanted — cut their fingers , proof of the irresistible beauty of the nubile ...
Side 58
... in Lermontov's Ashik Kerib , one is going to find it not in Paradjanov's version of that event in his adaptation of that tale , but rather in the frequent jump cuts of horse riders who suddenly disappear in his other films ) .
... in Lermontov's Ashik Kerib , one is going to find it not in Paradjanov's version of that event in his adaptation of that tale , but rather in the frequent jump cuts of horse riders who suddenly disappear in his other films ) .
Side 62
jump cuts , hence in appearances - disappearances , and since the dis- appearances back to Being are a remembrance of the latter , hence a form of prayer , the exoteric prayer is itself full of these other , esoteric prayers : although ...
jump cuts , hence in appearances - disappearances , and since the dis- appearances back to Being are a remembrance of the latter , hence a form of prayer , the exoteric prayer is itself full of these other , esoteric prayers : although ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 21,Oplag 1 |
| Bidragyder | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Udgiver | Indiana University Press, 1999 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 15. jan 2010 |
| Eksporter henvisning | BiBTeX EndNote RefMan |