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Side 39
The atmosphere is stifling with interdictions , stirring up the storm that will explode in the final scene when the father kills his daughter who is bearing the child of her banished lover ; the patriarch avenges himself of what the ...
The atmosphere is stifling with interdictions , stirring up the storm that will explode in the final scene when the father kills his daughter who is bearing the child of her banished lover ; the patriarch avenges himself of what the ...
Side 85
The coke is too warm , the child is going to pour it out , someone calls him from another car : “ Don't throw it away , give it to us for the ... The child says to a woman whose daughter died : " God does not like to kill his children .
The coke is too warm , the child is going to pour it out , someone calls him from another car : “ Don't throw it away , give it to us for the ... The child says to a woman whose daughter died : " God does not like to kill his children .
Side 176
This child has no father but it wouldn't be any different if he had one . His mother is a prostitute who sells her body on a daily basis . No relationship exists between this mother and her child . When the child grows up , he becomes ...
This child has no father but it wouldn't be any different if he had one . His mother is a prostitute who sells her body on a daily basis . No relationship exists between this mother and her child . When the child grows up , he becomes ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women