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Side 102
Brother , looking searchingly around , notices Wanys , who is ascending the passage's stairs dazed , leaning against the passage walls . Brother ( from below , his voice echoing ) : Wanys . . . Wanys . . . But Wanys continues his ascent ...
Brother , looking searchingly around , notices Wanys , who is ascending the passage's stairs dazed , leaning against the passage walls . Brother ( from below , his voice echoing ) : Wanys . . . Wanys . . . But Wanys continues his ascent ...
Side 107
Wanys ( vaguely ) : Yes . He slowly turns and looks fixedly at something before him . Wanys ( thoughtfully ) : But yonder is a face as large as a man . The stranger approaches , looking in the same direction .
Wanys ( vaguely ) : Yes . He slowly turns and looks fixedly at something before him . Wanys ( thoughtfully ) : But yonder is a face as large as a man . The stranger approaches , looking in the same direction .
Side 119
Wanys leans his head against the wall , not daring to look back . Wanys : Tell me no more ! You make the stone images seem alive to me . He turns round to where the stranger stood , but the latter is nowhere to be seen .
Wanys leans his head against the wall , not daring to look back . Wanys : Tell me no more ! You make the stone images seem alive to me . He turns round to where the stranger stood , but the latter is nowhere to be seen .
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women