Fra bogen
Resultater 1-3 af 8
Side 104
Relative : Murad ? ... Uncle : Yes . ( Bitterly ) His face is still unknown to the mountain guards . Uncle moves away , descending behind the hill as Relative signals to Wanys ' three cousins . Relative : Find Wanys .
Relative : Murad ? ... Uncle : Yes . ( Bitterly ) His face is still unknown to the mountain guards . Uncle moves away , descending behind the hill as Relative signals to Wanys ' three cousins . Relative : Find Wanys .
Side 105
Murad ( in self - pity ) : And since when was anybody interested in poor Murad ? Murad turns and walks on followed by the three cousins . Murad : Everybody is interested in Ayyub . And where is Ayyub at this moment ?
Murad ( in self - pity ) : And since when was anybody interested in poor Murad ? Murad turns and walks on followed by the three cousins . Murad : Everybody is interested in Ayyub . And where is Ayyub at this moment ?
Side 114
Wanys , enraged , turns and is about to leave the room when Murad ap- proaches hurriedly from the opposite side and pushes the statuette into his hand . Wanys raises it slowly before his face . Murad : Hate Ayyub .
Wanys , enraged , turns and is about to leave the room when Murad ap- proaches hurriedly from the opposite side and pushes the statuette into his hand . Wanys raises it slowly before his face . Murad : Hate Ayyub .
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women