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Side 79
Cinema gathers itself here , it concentrates on its continuity and on its continuation . Quite deliberately , ostensibly and simply it gives itself to be seen as the uninterrupted movement of its shots and its cuts , not even ...
Cinema gathers itself here , it concentrates on its continuity and on its continuation . Quite deliberately , ostensibly and simply it gives itself to be seen as the uninterrupted movement of its shots and its cuts , not even ...
Side 81
For once , sight is not the capturing of a subject ; to the contrary , it is its deliverance , its sending forth ahead of itself ( envoi devant soi ) , at times in extreme close up , thrown against large blocks of stone or rubble ...
For once , sight is not the capturing of a subject ; to the contrary , it is its deliverance , its sending forth ahead of itself ( envoi devant soi ) , at times in extreme close up , thrown against large blocks of stone or rubble ...
Side 86
Existence resists the indifference of life - and - death , it lives beyond mechanical " life , " it is always its own mourning , and its own joy . It becomes figure , image . It does not become alienated in images , but it is presented ...
Existence resists the indifference of life - and - death , it lives beyond mechanical " life , " it is always its own mourning , and its own joy . It becomes figure , image . It does not become alienated in images , but it is presented ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women