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Side 66
Primarily and fundamentally , the abstraction holds before the Moslem artist at all touches his tools , or plans an artwork ; the primary abstractors of Islam are the atomist occasionalists . Islamic art abstracts only secondarily ...
Primarily and fundamentally , the abstraction holds before the Moslem artist at all touches his tools , or plans an artwork ; the primary abstractors of Islam are the atomist occasionalists . Islamic art abstracts only secondarily ...
Side 72
Reaffirming their Islamic faith , during the early nineteen nine- ties a significant number of Egyptian actresses went back to ... simply by taking into ac- count the kind of temporality most characteristic of orthodox Islam : atomism .
Reaffirming their Islamic faith , during the early nineteen nine- ties a significant number of Egyptian actresses went back to ... simply by taking into ac- count the kind of temporality most characteristic of orthodox Islam : atomism .
Side 73
With the exception of some of Paradjanov's films , up to now Islamic cinematography can be located only in the atomic temporality of Islam and not in the numerous films and TV programs on Islamic themes and figures , 18 which are ...
With the exception of some of Paradjanov's films , up to now Islamic cinematography can be located only in the atomic temporality of Islam and not in the numerous films and TV programs on Islamic themes and figures , 18 which are ...
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Indhold
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Copyright | |
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Almindelige termer og sætninger
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women
Bibliografiske oplysninger
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 21,Oplag 1 |
| Bidragyder | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Udgiver | Indiana University Press, 1999 |
| Oprindeligt fra | University of Michigan |
| Digitaliseret | 15. jan 2010 |
| Eksporter henvisning | BiBTeX EndNote RefMan |