Works, Bind 2–3

John Ruskin

J. Wiley & sons, 1887

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Indhold

PART	1

Only with respect to plants less affection than sympathy 91	4

The effects of the Adamitę curse are to be distinguished from	11

Of the Theoretic Faculty as concerned with	12

Ideas of beauty how essentially moral	17

How exalted by affection	18

Of Accuracy and Inaccuracy in Impressions of Sense 1 By what test is the health of the perceptive faculty to be determined ?	19

And in what sense may the terms Right and Wrong be at tached to its conclusions ?	20

Ideality how belonging to ages and conditions	110

Thirdly in Man 1 Condition of the human creature entirely different from that of the lower animals	111

How the conception of the bodily ideal is reached	112

Modifications of the bodily ideal owing to influence of mind First of intellect	113

What beauty is bestowed by them	115

signs of its immediate activity	118

Ideal form is only to be obtained by portraiture	119

Evil results of opposite practice in modern times	120

What power we have over impressions of sense	21

Ultimate conclusions universal	22

How rewarded	23

Errors induced by the power of habit	24

The large scope of matured judgment	25

The danger of a spirit of choice	26

And criminality	27

With what liabilities to error	28

The term beauty how limitable in the outset Divided into typical and vital	29

Of False Opinions held concerning Beauty 1 Of the false opinion that truth is beauty and vice versa	30

Of the false opinion that beauty is usefulness Compare Chap xii 5	31

But never either creates or destroys the essence of beauty	32

Of the false opinion that beauty depends on the association of ideas	33

Association accidental The extent of its intiuence	34

The dignity of its function	35

How it is connected with impressions of beauty	36

First of Infinity or the Type of Divine Incomprehensibility 1 Impossibility of adequately treating the subject	38

The child instinct respecting space	39

Continued in after life	40

Infinity how necessary in art	41

Conditions of its necessity	42

sion of infinity	43

Examples among the Southern schools	44

Among the painters of landscape	45

The beauty of curvature	46

The beauty of gradation	47

How necessary in Art	48

Infinity not rightly implied by vastness	49

Of Unity or the Type of the Divine Compre hensiveness 1 The general conception of divine Unity	50

The several kinds of unity Subjectional Original Of sequence and of membership	51

Unity of membership How secured	52

Variety Why required	53

Change and its influence on beauty	54

The love of change How morbid and evil	55

And towards unity of sequence	57

The value of apparent proportion in curvature	60

How by nature obtained	61

Error of Burke in this matter	62

Constructive proportion Its influence in plants	63

And animals	64

Of Repose or the Type of Divine Perma nence 1 Universal feeling respecting the necessity of repose in art Its sources	65

Of Moderation or the Type of Government	81

plants	92

Especially with respect to animals	93

And it is destroyed by evidences of mechanism	95

The second perfection of the theoretic faculty as concerned with life is justice of moral judgment	96

How impeded	97

11 As also in plants	99

Recapitulation	100

Secondly as Generic 1 The beauty of fulfilment of appointed function in every animal	101

The two senses of the word ideal Either it refers to ac tion of the imagination	103

Of Ideal form First in the lower animals	104

Ideal form in vegetables	105

Admits of variety in the ideal of the former	106

Ideal form in vegetables destroyed by cultivation	107

Instance in the Soldanella and Ranunculus	108

The ideality of Art	109

The right use of the model	121

Practical principles deducible	122

Portraiture ancient and modern	123

How connected with impurity of color	124

Or by severity of drawing	125

And modern art	126

Holy fear how distinct from human terror	127

Such expressions how sought by painters powerless and	129

It is never to be for itself exhibitedat least on the face	130

Recapitulation	131

General Conclusions respecting the Theo retic Faculty 1 There are no sources of the emotion of beauty more than those found in things visible	133

What imperfection exists in visible things How in a sort by imagination removable	134

What objections may be made to this conclusion	135

How interrupted by false feeling	136

Greatness and truth are sometimes by the Deity sustained and spoken in and through evil men	137

The second objection arising from the coldness of Christian men to external beauty	138

Of the Three Forms of Imagination 1 A partial examination only of the imagination is to be at tempted	142

The works of the metaphysicians how nugatory with respect to this faculty	143

4 This instance nugatory	144

Various instances	145

The three operations of the imagination Penetrative associ ative contemplative	146

Of Imagination Associative 1 Of simple conception	147

How connected with verbal knowledge	148

Characteristics of composition	149

What powers are implied by it The first of the three func tions of fancy	150

Imagination is the correlative conception of imperfect compo nent parts	151

The grasp and dignity of imagination	152

Its limits	153

How manifested in treatment of uncertain relations Its de ficiency illustrated	154

Laws of art the safeguard of the unimaginative	155

The monotony of unimaginative treatment	156

Imagination never repeats itself	157

Modification of its manifestation	158

Its presence Salvator Nicolo Poussin Titian Tintoret	159

And Turner	160

The due function of Associative imagination with respect to nature	161

Of Imagination Penetrative	163

Of Imagination Contemplative	192

Of the Superhuman Ideal	212

ADDENDA	225

Explanation of the term theoretic	1

The inconsistency among the effects of the mental virtues	8

Reasons for this coldness in the anxieties of the world These	10

And what caution it renders necessary in the examination	12

the form 116	32

them 36	36

Secondly Naturalist 77	77

86	86

Is a sign of Gods kind purpose towards the race 116	116

Consequent separation and difference of ideals 117	117

anxieties overwrought and criminal 139	139

Evil consequences of such coldness 140	140

Of the Novelty of Landscape 144	144

Of the Pathetic Fallacy 152	152

but apprehending of things 163	163

Of the Teachers of Turner	308

APPENDIX	333

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Almindelige termer og sætninger

actual animals appearance artist association beauty become believe body called cause character clouds color common conceive conception connected considered consistent creature delight dependent desire Divine effect equal evident existence expression fact faculty false fancy farther fear feeling function give given greater hand head heart human ideal ideas imagination impressions influence instance kind leave less light lines look lower material matter means measure mind moral namely nature necessary never noble object observed operation painful painter painting perfect perhaps picture plant pleasure possible present principle proportion pure purity qualities reader reason received reference relation represented respecting rest seems seen sense separate signs speak spirit strength suppose term things thought tion trees true truth unity whole

Populære passager

Side 168 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...

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Side 137 - And he took up his parable and said, Balaam the son of Beor hath said, and the man whose eyes are open hath said...

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Side 91 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.

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Side 39 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.

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Side 276 - Oh, what a tangled web we weave, When first we practise to deceive...

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Side 282 - Fear and trembling Hope, Silence and Foresight ; Death the Skeleton And Time the Shadow ; — there to celebrate, As in a natural temple scattered o'er With altars undisturbed of mossy stone, United worship ; or in mute repose To lie, and listen to the mountain flood Murmuring from Glaramara's inmost caves, 1803.

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Side 197 - Sweet flower ! for by that name at last, When all my reveries are past, I call thee, and to that cleave fast, Sweet silent creature ! That breath'st with me in sun and air, Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature ! TO THE SAME FLOWER.

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Side 84 - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.

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Side 167 - Horatio; a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?

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Side 145 - On the dry smooth-shaven Green, To behold the wandering Moon, Riding near her highest noon, Like one that had been led astray Through the Heaven's wide pathless way; And oft, as if her head she bowed, Stooping through a fleecy cloud.

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Bibliografiske oplysninger

Titel	Works, Bind 2–3 Works, John Ruskin
Forfatter	John Ruskin
Udgiver	J. Wiley & sons, 1887
Oprindeligt fra	Harvard University
Digitaliseret	15. apr 2008

Eksporter henvisning	BiBTeX EndNote RefMan

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