Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Side 37
... tragic elevation : and , 2. Tragedy , in its soft distressful scenes , condescends to the ease of familiar conversation . But the poet had a further view in chusing this instance . For he gets by this means into the main of his subject ...
... tragic elevation : and , 2. Tragedy , in its soft distressful scenes , condescends to the ease of familiar conversation . But the poet had a further view in chusing this instance . For he gets by this means into the main of his subject ...
Side 38
... TRAGIC STYLE ; which will be different , 1. [ to v . 111 ] according to the internal state and cha- racter of the speaker : thus one sort of expression will become the angry ; another , the sorrowful ; this , the i Post effert animi ...
... TRAGIC STYLE ; which will be different , 1. [ to v . 111 ] according to the internal state and cha- racter of the speaker : thus one sort of expression will become the angry ; another , the sorrowful ; this , the i Post effert animi ...
Side 41
... tragic . For , taking its rise , not from the flattering views of the poet , but the real situation of the actor , its opening must of necessity , be very simple and unpretending . And being , from its short term of action , unable ...
... tragic . For , taking its rise , not from the flattering views of the poet , but the real situation of the actor , its opening must of necessity , be very simple and unpretending . And being , from its short term of action , unable ...
Side 45
... tragic chorus , to- gether with a short glance at the other improvements of numbers , stile , & c . necessarily connected with it , gives him the opportunity of going off easily into a subject of near affinity with this , viz . the ...
... tragic chorus , to- gether with a short glance at the other improvements of numbers , stile , & c . necessarily connected with it , gives him the opportunity of going off easily into a subject of near affinity with this , viz . the ...
Side 46
... tragic shews . But , 2. To convert , as far as was possible , what was thus a necessary sacrifice to the taste of the multitude into a tolerable entertainment for the better sort , he lays down [ from v . 225 to 240 ] the exactest ...
... tragic shews . But , 2. To convert , as far as was possible , what was thus a necessary sacrifice to the taste of the multitude into a tolerable entertainment for the better sort , he lays down [ from v . 225 to 240 ] the exactest ...
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention authority beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle EPISTOLA epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander modern moral Multa nature nexion numbers nunc objects observed occasion old comedy Oscan painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says scene sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
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Side 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Side 29 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Side 42 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Side 39 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Side 37 - Si quid inexpertum scenae committis et audes Personam formare novam, servetur ad imum Qualis ab incepto processerit, et sibi constet.
Side 38 - Priami cantabo et nobile bellum. ' quid dignum tanto feret hic promissor hiatu ? parturient montes, nascetur ridiculus mus. quanto rectius hic qui nil molitur inepte : 140 ' die mihi, Musa, virum, captae post tempora Troiae qui mores hominum multorum vidit et urbes.
Side 18 - Horace still charms with graceful negligence, And without method talks us into sense; Will, like a friend, familiarly convey The truest notions in the easiest way. He, who supreme in judgment, as in wit, Might boldly censure, as he boldly writ, Yet judg'd with coolness, tho' he sung with fire; His precepts teach but what his works inspire.
Side 293 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Side 302 - Cum sociis operum, pueris et conjuge fida, Tellurem porco, Silvanum lacte piabant, Floribus et vino Genium memorem brevis aevi. Fescennina per hunc inventa licentia morem 145 Versibus alternis opprobria rustica fudit...
Side 56 - Tyrtaeusque mares animos in Martia bella versibus exacuit : dictae per carmina sortes, et vitae monstrata via est, et gratia regum Pieriis...