Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Side 17
... seem not reducible to either of these two classes , they are to be regarded only , as the triflings of their pen , and deserve not to be considered , as making a third and distinct species of this poem . Now these two kinds of the ...
... seem not reducible to either of these two classes , they are to be regarded only , as the triflings of their pen , and deserve not to be considered , as making a third and distinct species of this poem . Now these two kinds of the ...
Side 30
... seem , less cultivated and understood . III . The last part [ from v . 295 to the end ] exhorts to correctness in writing ; yet still with an eye , principally , to the dramatic species ; and is taken up partly in remov- ing the causes ...
... seem , less cultivated and understood . III . The last part [ from v . 295 to the end ] exhorts to correctness in writing ; yet still with an eye , principally , to the dramatic species ; and is taken up partly in remov- ing the causes ...
Side 49
... he goes on , in the remaining part of the epistle , to sum up the several causes , which seem to have produced it . And this gives him the opportunity , 295 Quam lingua , Latium ; si non offenderet unum- ARS POETICA . 49.
... he goes on , in the remaining part of the epistle , to sum up the several causes , which seem to have produced it . And this gives him the opportunity , 295 Quam lingua , Latium ; si non offenderet unum- ARS POETICA . 49.
Side 59
... seems , incompatible , and demanding in the poet , besides the fire of real genius , all the labour and discipline of art . But there is one thing still want- ing . The poet may be excellently formed by nature , and accomplished by art ...
... seems , incompatible , and demanding in the poet , besides the fire of real genius , all the labour and discipline of art . But there is one thing still want- ing . The poet may be excellently formed by nature , and accomplished by art ...
Side 73
... , without incurring the odium of abso- lutely invented terms , sustains itself in a becoming stateliness and reserve , and , whilst it seems to stoop to the level of conversation , artfully eludes the meanness ART OF POETRY . 73.
... , without incurring the odium of abso- lutely invented terms , sustains itself in a becoming stateliness and reserve , and , whilst it seems to stoop to the level of conversation , artfully eludes the meanness ART OF POETRY . 73.
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention authority beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle EPISTOLA epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander modern moral Multa nature nexion numbers nunc objects observed occasion old comedy Oscan painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says scene sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
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Side 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Side 29 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Side 42 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Side 39 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Side 37 - Si quid inexpertum scenae committis et audes Personam formare novam, servetur ad imum Qualis ab incepto processerit, et sibi constet.
Side 38 - Priami cantabo et nobile bellum. ' quid dignum tanto feret hic promissor hiatu ? parturient montes, nascetur ridiculus mus. quanto rectius hic qui nil molitur inepte : 140 ' die mihi, Musa, virum, captae post tempora Troiae qui mores hominum multorum vidit et urbes.
Side 18 - Horace still charms with graceful negligence, And without method talks us into sense; Will, like a friend, familiarly convey The truest notions in the easiest way. He, who supreme in judgment, as in wit, Might boldly censure, as he boldly writ, Yet judg'd with coolness, tho' he sung with fire; His precepts teach but what his works inspire.
Side 293 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Side 302 - Cum sociis operum, pueris et conjuge fida, Tellurem porco, Silvanum lacte piabant, Floribus et vino Genium memorem brevis aevi. Fescennina per hunc inventa licentia morem 145 Versibus alternis opprobria rustica fudit...
Side 56 - Tyrtaeusque mares animos in Martia bella versibus exacuit : dictae per carmina sortes, et vitae monstrata via est, et gratia regum Pieriis...