Daguerreotypes and Other EssaysUniversity of Chicago Press, 1979 - 229 sider "Isak Dinesen . . . had an original approach to life that permeated all her work. She loved storytelling, with the result that most of her essays are quasi-narratives, which proceed not from major to minor premise but from one anecdote to another as the way of making concrete whatever idea she is considering. Her work is a delight and at times a marvel."—The New Yorker "Through these daguerreotypes we begin to understand other periods, the renunciations of World War I, the purpose of houses and mansions, of ritual ceremonials, such as tatooing. We are given a fresh and vivid view of the women's movement . . . which urges that what our 'small society' needs beyond human beings who have demonstrated what they can do, is people who are. 'Indeed, our own time,' she wrote in 1953, 'can be said to need a revision from doing to being.' She demonstrated it in her own work and craft, with courage and with dignity. This collection is as real as a gallery of old daguerreotypes, moving and unfaded. The work, as Hannah Arendt says, of a wise woman."—Robert Kirsch, Los Angeles Times "These essays . . . have the flavor of good conversation: humorous, easy, personal but not oppressive, the distillation of reading, thought, and experience. Their subjects are of surprisingly current interest. We need make no concessions to the past, need not set our watches back to 'historical.' Isak Dinesen was not a faddish thinker. . . . 'In history it is always the human element that has a chance for eternal life,' Dinesen remarks, and she gives these essays their chance."—Penelope Mesic, Chicago |
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Foreword Isak Dinesen 18851962 | vii |
On Mottoes of My Life | 1 |
Daguerreotypes | 16 |
Oration at a Bonfire Fourteen Years Late | 64 |
Letters from a Land at War | 88 |
Reunion with England | 138 |
On Orthography | 142 |
The Riding Master | 157 |
A Radio Address | 195 |
Notes | 219 |
Almindelige termer og sætninger
able Africa Aldous Huxley Amanzimtoti answer asked bayadère become believe Berlin birds Blixen blood Bremen called century child Christian Christian IV Clemens Clemens's Copenhagen daguerreotype Danish death Denmark Dinesen England English Erik Glipping essay Fanø father feel figure French garden German give happened heard Hein honor horse Hubert human hundred imagine Isak Isak Dinesen Islam Jens Peter Jacobsen Johannes Ewald Jutland Karen Blixen kind King lady later laughed learned Lettow listeners lived look Michala Miss Sejlstrup mistress motto never night novel once perhaps person phonetically Piet Hein play poem Politiken reader relationship Riding Master Rungsted Rungstedlund Rungstedlund Fund seen sound speak story strange Susanne symbol tell Theater things Third Reich thought tion told understand Vindinge witch woman women words write young