The Summons of Death on the Medieval and Renaissance English Stage

accept appears audience become begin body Bosola called century characters Claudio comes comfort continue corpse course creature Dance Dance of Death dead death despair devil Doctor drama Duchess Duke dying early effect Elizabethan English Everyman evil face fact faith fall Faustus fear figure finally force friends give given God's hand heart heaven Hell human Jacobean John Judgment kill King later lines living London look means Measure medieval mind Morality nature never pain perhaps play Press prison question reason rejected religious Renaissance repentance response salvation says scene seems seen sense Shakespeare sins skeleton skull soul speak stage Studies Summons symbol Tamburlaine tells thee things thou thought tion tradition Tragedy true turn Univ universe Vindice warning Worldly York