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A Philosophical View of the Detective Novel
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according aesthetic alternative analysis appear attempt Barthes become beginning Bellour called capitalism character cinema cognitive concept concerns connotation constituted criticism culture Deal denotation detective devices dialectic discourse early effect elements estrangement evidence example existence expression fact fantasy figurative film finally formal function future genre Germany give hand hero Hitler human identity ideological images imaginary important individual institutions issue John Kent kind language literary literature longer manner mass culture meaning myth narrative naturalist never notion novel object original political possible precisely present Press problem produced questions reader recent reference represents science fiction scientific seems sense Siegel signifier social society specific stories structure Studies style Superman Superman stories Suvin Syberberg's term theory thing tion tradition true ture University writes written