Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 100
... turn on the small rotating lamps . The light shines directly on their faces . They turn on the video cam- eras that broadcast their faces to the TVs . The audience sees the faces of the actors on the TVs . The actors remain silent for ...
... turn on the small rotating lamps . The light shines directly on their faces . They turn on the video cam- eras that broadcast their faces to the TVs . The audience sees the faces of the actors on the TVs . The actors remain silent for ...
Side 109
... turn their cameras and start film- ing the audience . The images appear directly on the TVs . ACTOR 2 records what ... turns it on , and exits the stage followed by the other three actors . The TVs keep on showing the Dabkeh scene for a ...
... turn their cameras and start film- ing the audience . The images appear directly on the TVs . ACTOR 2 records what ... turns it on , and exits the stage followed by the other three actors . The TVs keep on showing the Dabkeh scene for a ...
Side 162
... turn again To renew sleep and all that it promises Secretly . The pleasure is intense , reduced To an adventure ... turning of the line through the dark to every day From top to bottom Or so I hear from a rising internal voice That is ...
... turn again To renew sleep and all that it promises Secretly . The pleasure is intense , reduced To an adventure ... turning of the line through the dark to every day From top to bottom Or so I hear from a rising internal voice That is ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York