Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 37
... sense that Jesus Christ is " the second Adam ” ( Paul 1 Corinthians 15:47 ; cf. Qur'ân 3:59 : " Lo ! The likeness of ... sense of the word , not in the sense in which Adam is , and it is because of this that although he has eaten ...
... sense that Jesus Christ is " the second Adam ” ( Paul 1 Corinthians 15:47 ; cf. Qur'ân 3:59 : " Lo ! The likeness of ... sense of the word , not in the sense in which Adam is , and it is because of this that although he has eaten ...
Side 96
... sense of the image : high , low , vertical , horizontal . The photograph of details manifests its powerlessness to dominate space in its classi- cal topographical sense . -The photographic act moves away completely from realism , from ...
... sense of the image : high , low , vertical , horizontal . The photograph of details manifests its powerlessness to dominate space in its classi- cal topographical sense . -The photographic act moves away completely from realism , from ...
Side 130
... sense of power , the sense that artists could take control of their own destiny in some significant manner and not be pawns in the legitimation of ideals that they did not believe in must have been intox- icating . That exhilaration and ...
... sense of power , the sense that artists could take control of their own destiny in some significant manner and not be pawns in the legitimation of ideals that they did not believe in must have been intox- icating . That exhilaration and ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake language Lascaux light living look material means memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York