Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 24
... present he shared with it . We , humans , wait for the angel in the tem- porality of chronological time , yet when he , eternal , shows up , he has always been before us in the present . The angel , even a guardian one come to help us ...
... present he shared with it . We , humans , wait for the angel in the tem- porality of chronological time , yet when he , eternal , shows up , he has always been before us in the present . The angel , even a guardian one come to help us ...
Side 25
... present : the annunciator of the arrival does not arrive . Notwithstanding that he is in constant dis- placement to relay messages and annunciations , the angel gives the impression , through being from all time in any present we share ...
... present : the annunciator of the arrival does not arrive . Notwithstanding that he is in constant dis- placement to relay messages and annunciations , the angel gives the impression , through being from all time in any present we share ...
Side 63
... present , moreover , cannot be reread at a later date , like a text on a page . Instead , impressions of the present can only be heard through a process of listening for echoes . Individ- ual bodies resonate to external events ...
... present , moreover , cannot be reread at a later date , like a text on a page . Instead , impressions of the present can only be heard through a process of listening for echoes . Individ- ual bodies resonate to external events ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York