Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 56
... impression into it , as if we were making marks with signet - rings . We remember and know anything imprinted , as long as the impression remains in the block ; but we forget and do not know anything which is erased or cannot be ...
... impression into it , as if we were making marks with signet - rings . We remember and know anything imprinted , as long as the impression remains in the block ; but we forget and do not know anything which is erased or cannot be ...
Side 57
... impression and the aviary is that they propose almost competing theories of storage and retrieval . 13 Whereas the typographical model we saw earlier proposed the mind as a material substance gradually carved out by impressions , the ...
... impression and the aviary is that they propose almost competing theories of storage and retrieval . 13 Whereas the typographical model we saw earlier proposed the mind as a material substance gradually carved out by impressions , the ...
Side 62
... impression is to receive the present only as it unfolds in time . The musical impression , in other words , does not leave eternal , unchanging marks on the wax tablet . Rather , it gives the very impression of time as it unfolds . The ...
... impression is to receive the present only as it unfolds in time . The musical impression , in other words , does not leave eternal , unchanging marks on the wax tablet . Rather , it gives the very impression of time as it unfolds . The ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York