Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 12
... force in being repeated across time , while articulated speech loses force and meaning in being repeated . Music is the continuity of past with present and future , speech the marking of discontinuities . And music does not only confirm ...
... force in being repeated across time , while articulated speech loses force and meaning in being repeated . Music is the continuity of past with present and future , speech the marking of discontinuities . And music does not only confirm ...
Side 5
... force , and it is in the name of that crit- ical and political force that he argues against Duhamel's contempt for a medium that " requires no concentration and presupposes no intelligence " ( Illuminations 239 ) . This is what ...
... force , and it is in the name of that crit- ical and political force that he argues against Duhamel's contempt for a medium that " requires no concentration and presupposes no intelligence " ( Illuminations 239 ) . This is what ...
Side 103
... force which is the equivalent of two or more forces acting from different directions at one point . Also generally , the composite or final effect of any two or more physical forces . ( 558 ) So the kino - eye moves in the direction of ...
... force which is the equivalent of two or more forces acting from different directions at one point . Also generally , the composite or final effect of any two or more physical forces . ( 558 ) So the kino - eye moves in the direction of ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York