Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 114
... camera and began to take pictures of the site . I carefully photographed those few remaining stones , the unbelievably still lake ( a lake that is essentially a dead sea , a cir- cumscribed oceanic ) , and the distant watery and ...
... camera and began to take pictures of the site . I carefully photographed those few remaining stones , the unbelievably still lake ( a lake that is essentially a dead sea , a cir- cumscribed oceanic ) , and the distant watery and ...
Side 117
... camera carefully aimed , I pho- tographed the disappeared photograph , the object vanished and van- ishing , the flash of a memory “ produc [ ing ] ... " as Bergson described it , " the effect of a ghost whose mysterious apparitions ...
... camera carefully aimed , I pho- tographed the disappeared photograph , the object vanished and van- ishing , the flash of a memory “ produc [ ing ] ... " as Bergson described it , " the effect of a ghost whose mysterious apparitions ...
Side 103
... camera moves . Eisenstein hardly ever talks about camera movement : all he needs is the movement between shots or frames , montage in itself . Move- ment becomes merely the index of the shots or frames , confining movement to its ...
... camera moves . Eisenstein hardly ever talks about camera movement : all he needs is the movement between shots or frames , montage in itself . Move- ment becomes merely the index of the shots or frames , confining movement to its ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York