Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 52
... called al - insân al - kâmil , “ the perfect human being . " " 5 The perfection achieved through tahqiq involves an inner trans- formation such that the self comes to be identical with the infinity that it knows . The quest for ...
... called al - insân al - kâmil , “ the perfect human being . " " 5 The perfection achieved through tahqiq involves an inner trans- formation such that the self comes to be identical with the infinity that it knows . The quest for ...
Side 168
... called ( or as the actor with the dead man's calling is known ) , is , says the producer ( perhaps self - reflecting ) , " the original man in a hurry . " " Ferrand , " Truffaut himself in the thinly disguised role of the interior ...
... called ( or as the actor with the dead man's calling is known ) , is , says the producer ( perhaps self - reflecting ) , " the original man in a hurry . " " Ferrand , " Truffaut himself in the thinly disguised role of the interior ...
Side 67
Berkeley Journal for Theoretical Studies in Media and Culture. be called Bourdier's second “ style . ” 3 In his first “ style , ” there are very few colors . No 1 represents a series of circular forms with a spot of yellow at the center ...
Berkeley Journal for Theoretical Studies in Media and Culture. be called Bourdier's second “ style . ” 3 In his first “ style , ” there are very few colors . No 1 represents a series of circular forms with a spot of yellow at the center ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York