Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 24Indiana University Press, 2002 |
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Side 153
... animal from the human world brings with it the appearance of a dehumanized ( and melan- cholic ) human being . The role of the animal is now no longer sac- rificial but can be said to be " spectral , " that is , always vanishing ...
... animal from the human world brings with it the appearance of a dehumanized ( and melan- cholic ) human being . The role of the animal is now no longer sac- rificial but can be said to be " spectral , " that is , always vanishing ...
Side 154
... animal inhabits not simply another world , but an other - world , the dwelling of the Other as absolute alterity . The cry is the languageless sign of an alien that pierces the order of the human world . Lippit turns up the volume on ...
... animal inhabits not simply another world , but an other - world , the dwelling of the Other as absolute alterity . The cry is the languageless sign of an alien that pierces the order of the human world . Lippit turns up the volume on ...
Side 155
... animal world serves as Lippit's central philosophical example . For Hei- degger , human beings have a world ; plants and stones do not ; but animals are " poor - in - World " ( weltarm ) . The animal's lack of lan- guage bars it from an ...
... animal world serves as Lippit's central philosophical example . For Hei- degger , human beings have a world ; plants and stones do not ; but animals are " poor - in - World " ( weltarm ) . The animal's lack of lan- guage bars it from an ...
Indhold
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Copyright | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York