Billeder på siden
PDF
ePub

And dallied thus, till from the shore
The tide retreating more and more
Had sucked, and sucked him in.
And there he is in face of Heaven.
How rapidly the Child is driven !
The fourth part of a mile I ween
He thus had gone, ere he was seen
By any human eye.

But when he was first seen, oh me
What shrieking and what misery!
For many saw; among the rest
His mother, she who loved him best,
She saw her poor blind Boy.

But for the Child, the sightless Boy,
It is the triumph of his joy!
The bravest Traveller in balloon,
Mounting as if to reach the moon,
Was never half so bless'd.

[blocks in formation]

155

160

165

170

175

But now the passionate lament,
Which from the crowd on shore was sent,
The cries which broke from old and young
In Gaelic, or the English tongue,

Are stifled-all is still.

And quickly with a silent crew
A Boat is ready to pursue;

180

And from the shore their course they take,
And swiftly down the running Lake
They follow the blind Boy.

But soon they move with softer pace,
So have ye seen the fowler chase
On Grasmere's clear unruffled breast
A Youngling of the wild-duck's nest
With deftly-lifted oar.

Or as the wily Sailors crept
To seize (while on the Deep it slept)
The hapless Creature which did dwell
Erewhile within the dancing Shell,
They steal upon their prey.

With sound the least that can be made
They follow, more and more afraid,
More cautious as they draw more near;
But in his darkness he can hear,
And guesses their intent.
'Lei-gha-Lei-gha'-then did he cry,
'Lei-gha-Lei-gha'-most eagerly;

185

Thus did he cry, and thus did pray,
And what he meant was, 'Keep away,
And leave me to myself!'

Alas! and when he felt their hands

You've often heard of magic Wands,
That with a motion overthrew

A palace of the proudest shew,
Ör melt it into air.

So all his dreams, that inward light

205

210

With which his soul had shone so bright,
All vanish'd;-'twas a heartfelt cross
To him, a heavy, bitter loss,

As he had ever known.

But hark! a gratulating voice

With which the very hills rejoice:
"Tis from the crowd, who tremblingly
Had watch'd the event, and now can see
That he is safe at last.

And then, when he was brought to land,
Full sure they were a happy band,
Which gathering round did on the banks
Of that great Water give God thanks,
And welcomed the poor Child.

And in the general joy of heart
The blind Boy's little Dog took part;
He leapt about, and oft did kiss
His master's hands in sign of bliss,
With sound like lamentation.

She who had fainted with her fear,
But most of all, his Mother dear,
Rejoiced when waking she espies
The Child; when she can trust her eyes,
And touches the blind Boy.

She led him home, and wept amain,
When he was in the house again:

190 Tears flowed in torrents from her eyes;
She could not blame him, or chastise:

195

200

She was too happy far.

Thus, after he had fondly braved
The perilous Deep, the Boy was saved;
And, though his fancies had been wild,
Yet he was pleased, and reconciled

To live in peace on shore.

And in the lonely Highland Dell
Still do they keep the Turtle shell;
And long the Story will repeat

Of the blind Boy's adventurous feat,
And how he was preserved.

215

220

225

230

235

240

245

250

Herrig, British Auth.

26

R

ROBERT SOUTHEY.

OBERT SOUTHEY was born at Bristol in 1774, and besides being a poet of great talent, he is one of the first, and most prolific prose writers among English modern authors. His earliest works are the dramas entitled 'Wat Tyler' and 'Joan of Arc, in which he expresses republican opinious; these were however soon abandoned, and he became a staunch royalist. In 1813 he obtained the office of Poet Laureate, and in this situation his new political opinions became confirmed. His first poetical production of any considerable merit, is Thalaba, published in 1801; which although written upon an extravagant subject, viz: a series of adventures met with by an Arabian hero, possesses in many places great beauty of expression. Then appeared Madoc, which is founded upon a tradition concerning the discovery of America. This was followed by "The Curse of Kehama,' the most elaborate of Southey's poems, but still more extravagant than

more

Thalaba, as the author has chosen the Hindoo my. thology for his basis, and although it shows him to possess a considerable amount of learning, it is nevertheless, on the whole, a monstrosity, valuable more on account of its poetry than of the substance. 'Roderic, the Last of the Goths,' is the most pleasing of his works; it relates to the combat of the Spaniards against the Moors, and the death of the last Gothie king of Spain. Southey's prose works are voluminous than his poems, and all possess considerable merit. The principal are: The Life of Nelson," The Book of the Church. The Lives of the British Admirals, "The Life of Wesley, History of Brazil,' History of the Peninsular War. He has also written many essays principally critical, all of them bearing witness to the author's extensive learning and sound judgment. Southey died at Keswick (Cumberland) in 1843.

[merged small][ocr errors][merged small][merged small][merged small][merged small][merged small][merged small]

replied,

Yet cheerful and happy, nor distant the Methinks a man's courage would now be

[blocks in formation]

well tried

Who should wander the ruins about. 35

I myself, like a school-boy, should tremble to hear,

The hoarse ivy shake o'er my head; And could fancy I saw, half persuaded by fear,

Some ugly old Abbot's grim spirit appear, For this wind might awaken the dead! 40

I'll wager a dinner, the other one cried, That Mary would venture there now. Then wager and lose! with a sneer he replied,

I'll warrant she'd fancy a ghost by her side, And faint if she saw a white cow.

45

Will Mary this charge on her courage allow?

His companion exclaim'd with a smile;

I shall win,-for I know she will venture
there now,
And earn a new bonnet by bringing a bough
From the elder that grows in the aisle.

With fearless good-humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it
was high,
And as hollowly howling it swept through
the sky,
She shiver'd with cold as she went. 55

O'er the path so well known still proceeded the Maid Where the Abbey rose dim on the sight; Through the gate-way she enter'd, she felt not afraid,

Yet the ruins were lonely and wild, and their shade

Seem'd to deepen the gloom of the night.

All around her was silent, save when the rude blast

Howl'd dismally round the old pile; Over weed-cover'd fragments she fearlessly past,

And arrived at the innermost ruin at last, Where the elder-tree grew in the aisle. 65

Well-pleased did she reach it, and quickly drew near, And hastily gather'd the bough; When the sound of a voice seem'd to rise on her ear, She paused, and she listen'd all eager to hear, 70 The wind blew, the hoarse ivy shook over her head, She listen'd-nought else could she hear; The wind fell, her heart sunk in her bosom with dread, For she heard in the ruins distinctly the tread Of footsteps approaching her near. 75 Behind a wide column, half breathless with fear,

And her heart panted fearfully now.

She crept to conceal herself there; That instant the moon o'er a dark cloud shone clear, And she saw in the moon-light two ruffians appear,

And between them a corpse did they

bear.

80

Then Mary could feel her heart-blood curdle cold!

Again the rough wind hurried by,

[blocks in formation]
[blocks in formation]

a

We saw
She had a baby at her back, and another
at her breast.

woman sitting down upon a
stone to rest;

I asked her why she loitered there, when
the night-wind was so chill, 15
She turned her head, and bade the child

that screamed behind be still.

She told us that her husband served, a soldier, far away,

And therefore to her parish she was beg-
ging back her way.

I turned me to the rich man then, for
silently stood he;-
'You asked me why the poor complain, and

these have answered thee.' 20

LORD WILLIAM AND EDMUND.
No eye beheld when William plunged
Young Edmund in the stream:
No human ear but William's heard

Young Edmund's drowning scream. 'I bade thee with a father's love

My orphan Edmund guard-
Well, William, hast thou kept thy charge?
Now take thy due reward.'

He started up, each limb convulsed

With agonising fear

He only heard the storm of night'Twas music to his ear!

When lo! the voice of loud alarm

His inmost soul appals

10

"What, ho! Lord William, rise in haste! 15
The water saps thy walls!'

He rose in haste-beneath the walls
He saw the flood appear;

It hemmed him round-'twas midnight now—
No human aid was near.

He heard the shout of joy! for now
A boat approached the wall;

And eager to the welcome aid

They crowd for safety all.

'My boat is small,' the boatman cried,
Twill bear but one away;

Come in, Lord William, and do ye
In God's protection stay.'

20

[blocks in formation]

50

'O God! Lord William, dost thou know 45
How dreadful 'tis to die?
And canst thou, without pity, hear
A child's expiring cry?
How horrible it is to sink
To stretch the powerless arms in vain!
Beneath the chilly stream:
In vain for help to scream!'
The shriek again was heard: it came
More deep, more piercing loud.
That instant, o'er the flood, the moon
Shone through a broken cloud;
And near them they beheld a child;
Upon a crag he stood,

A little crag, and all around

Was spread the rising flood.
The boatman plied the oar, the boat
Approached his resting-place;

The moonbeam shone upon the child,
And showed how pale his face.

55

'Now reach thy hand,' the boatman cried,
'Lord William, reach and save!'
The child stretched forth his little hands,
To grasp the hand he gave.

Then William shrieked; the hand he
touched

Was cold, and damp, and dead!
He felt young Edmund in his arms,
A heavier weight than lead!
'Help! help! for mercy, help,' he cried,
"The waters round me flow.'
'No-William-to an infant's cries
No mercy didst thou show.'

The boat sunk down-the murderer sunk
Beneath the avenging stream;

25 He rose-he screamed-no human ear
Heard William's drowning scream.

75

THE EVENING RAINBOW.

Mild arch of promise! on the ev'ning
sky
Thou shinest fair, with many a lovely ray,
Each in the other melting. Much mine
Delights to linger on thee; for the day,

eye

5

Changeful and many-weather'd, seem'd to
smile,
Flashing brief splendour through its clouds
a while.

That deepen'd dark anon, and fell in rain:
But pleasant it is now to pause, and view
Thy various tints of frail and wat'ry hue,
And think the storm shall not return again.

SAMUEL TAYLOR

SAMUEL TAYLOR COLERIDGE was born at Ottery

St. Mary in Devonshire in the year 1772. After having been educated in Christ Church, he entered Cambridge University in his nineteenth year, but on account of his Socinian opinions in religion, he was not allowed to take his degree; so he started for London and enlisted in a regiment of dragoons. He was however recalled by his friends, and after leaving Cambridge went to live at the Lakes, where also Southey and Wordsworth took up their residence, thus giving origin to the denomination of 'Lakers' and the Lake School. Coleridge appeared before the world as an author for the first time in 1796, and soon afterwards published separately his 'Ode to the Departing Year,' in 1797, the poem entitled 'France,' 1798, his 'Fears in Solitude: and after having translated Schiller's Wallenstein, he associated as a poet and author with Wordsworth, in an edition of whose works appeared

[blocks in formation]

COLERIDGE.

several of his compositions. Coleridge has not given us an extensive collection of poetry, but what he has written is of exquisite beauty and high poetical worth; it only lacks quantity to make him the greatest poetical writer of his day: but although he possessed an immense stock of materials, yet he seems to have left everything unfinished. He died in 1834. Of his poetical works we may mention The ancient Mariner,' 'Christabel,' 'Love,' 'Foster-Mother's Tale,' 'Dejection,' 'The Nightingale. His prose works embrace the subjects,— theology, history, politics, the principles of society, literature and its criticism, logic and metaphysics, and of them may be mentioned the following: The Friend,' Lay Sermons,' 'Aids to Reflection,' &c., but they all convey the same idea of incompleteness. Coleridge lived in the future, and always seems to have thought he would have time to give a finishing stroke to them at some future period.

And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon-
For he heard the loud bassoon.
The Wedding-Guest here beat his breast,

The bride hath paced into the hall,

Red as a rose is she;

Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;

And thus spake on that ancient man,
The bright-eyed Mariner.

And now the storm-blast came, and he
Was tyrannous and strong:

30

35

40

And listens like a three years' child:

He struck with his o'ertaking wings,

The Mariner hath his will.

And chased us south along.

[blocks in formation]

The ship was cheered, the harbour cleared, The ship drove fast, loud roared the blast,

Merrily did we drop

Below the kirk, below the hill,
Below the light-house top.

The sun came up upon the left,
Out of the sea came he!

50

And now there came both mist and snow,
And it grew wondrous cold:

25 And ice, mast-high, came floating by,
As green as emerald.

And forward bends his head,

And southward aye we fled.

« ForrigeFortsæt »