And dallied thus, till from the shore But when he was first seen, oh me But for the Child, the sightless Boy, 155 160 165 170 175 But now the passionate lament, Are stifled-all is still. And quickly with a silent crew 180 And from the shore their course they take, But soon they move with softer pace, Or as the wily Sailors crept With sound the least that can be made 185 Thus did he cry, and thus did pray, Alas! and when he felt their hands You've often heard of magic Wands, A palace of the proudest shew, So all his dreams, that inward light 205 210 With which his soul had shone so bright, As he had ever known. But hark! a gratulating voice With which the very hills rejoice: And then, when he was brought to land, And in the general joy of heart She who had fainted with her fear, She led him home, and wept amain, 190 Tears flowed in torrents from her eyes; 195 200 She was too happy far. Thus, after he had fondly braved To live in peace on shore. And in the lonely Highland Dell Of the blind Boy's adventurous feat, 215 220 225 230 235 240 245 250 Herrig, British Auth. 26 R ROBERT SOUTHEY. OBERT SOUTHEY was born at Bristol in 1774, and besides being a poet of great talent, he is one of the first, and most prolific prose writers among English modern authors. His earliest works are the dramas entitled 'Wat Tyler' and 'Joan of Arc, in which he expresses republican opinious; these were however soon abandoned, and he became a staunch royalist. In 1813 he obtained the office of Poet Laureate, and in this situation his new political opinions became confirmed. His first poetical production of any considerable merit, is Thalaba, published in 1801; which although written upon an extravagant subject, viz: a series of adventures met with by an Arabian hero, possesses in many places great beauty of expression. Then appeared Madoc, which is founded upon a tradition concerning the discovery of America. This was followed by "The Curse of Kehama,' the most elaborate of Southey's poems, but still more extravagant than more Thalaba, as the author has chosen the Hindoo my. thology for his basis, and although it shows him to possess a considerable amount of learning, it is nevertheless, on the whole, a monstrosity, valuable more on account of its poetry than of the substance. 'Roderic, the Last of the Goths,' is the most pleasing of his works; it relates to the combat of the Spaniards against the Moors, and the death of the last Gothie king of Spain. Southey's prose works are voluminous than his poems, and all possess considerable merit. The principal are: The Life of Nelson," The Book of the Church. The Lives of the British Admirals, "The Life of Wesley, History of Brazil,' History of the Peninsular War. He has also written many essays principally critical, all of them bearing witness to the author's extensive learning and sound judgment. Southey died at Keswick (Cumberland) in 1843. replied, Yet cheerful and happy, nor distant the Methinks a man's courage would now be well tried Who should wander the ruins about. 35 I myself, like a school-boy, should tremble to hear, The hoarse ivy shake o'er my head; And could fancy I saw, half persuaded by fear, Some ugly old Abbot's grim spirit appear, For this wind might awaken the dead! 40 I'll wager a dinner, the other one cried, That Mary would venture there now. Then wager and lose! with a sneer he replied, I'll warrant she'd fancy a ghost by her side, And faint if she saw a white cow. 45 Will Mary this charge on her courage allow? His companion exclaim'd with a smile; I shall win,-for I know she will venture With fearless good-humour did Mary comply, O'er the path so well known still proceeded the Maid Where the Abbey rose dim on the sight; Through the gate-way she enter'd, she felt not afraid, Yet the ruins were lonely and wild, and their shade Seem'd to deepen the gloom of the night. All around her was silent, save when the rude blast Howl'd dismally round the old pile; Over weed-cover'd fragments she fearlessly past, And arrived at the innermost ruin at last, Where the elder-tree grew in the aisle. 65 Well-pleased did she reach it, and quickly drew near, And hastily gather'd the bough; When the sound of a voice seem'd to rise on her ear, She paused, and she listen'd all eager to hear, 70 The wind blew, the hoarse ivy shook over her head, She listen'd-nought else could she hear; The wind fell, her heart sunk in her bosom with dread, For she heard in the ruins distinctly the tread Of footsteps approaching her near. 75 Behind a wide column, half breathless with fear, And her heart panted fearfully now. She crept to conceal herself there; That instant the moon o'er a dark cloud shone clear, And she saw in the moon-light two ruffians appear, And between them a corpse did they bear. 80 Then Mary could feel her heart-blood curdle cold! Again the rough wind hurried by, a We saw woman sitting down upon a I asked her why she loitered there, when that screamed behind be still. She told us that her husband served, a soldier, far away, And therefore to her parish she was beg- I turned me to the rich man then, for these have answered thee.' 20 LORD WILLIAM AND EDMUND. Young Edmund's drowning scream. 'I bade thee with a father's love My orphan Edmund guard- He started up, each limb convulsed With agonising fear He only heard the storm of night'Twas music to his ear! When lo! the voice of loud alarm His inmost soul appals 10 "What, ho! Lord William, rise in haste! 15 He rose in haste-beneath the walls It hemmed him round-'twas midnight now— He heard the shout of joy! for now And eager to the welcome aid They crowd for safety all. 'My boat is small,' the boatman cried, Come in, Lord William, and do ye 20 50 'O God! Lord William, dost thou know 45 A little crag, and all around Was spread the rising flood. The moonbeam shone upon the child, 55 'Now reach thy hand,' the boatman cried, Then William shrieked; the hand he Was cold, and damp, and dead! The boat sunk down-the murderer sunk 25 He rose-he screamed-no human ear 75 THE EVENING RAINBOW. Mild arch of promise! on the ev'ning eye 5 Changeful and many-weather'd, seem'd to That deepen'd dark anon, and fell in rain: SAMUEL TAYLOR SAMUEL TAYLOR COLERIDGE was born at Ottery St. Mary in Devonshire in the year 1772. After having been educated in Christ Church, he entered Cambridge University in his nineteenth year, but on account of his Socinian opinions in religion, he was not allowed to take his degree; so he started for London and enlisted in a regiment of dragoons. He was however recalled by his friends, and after leaving Cambridge went to live at the Lakes, where also Southey and Wordsworth took up their residence, thus giving origin to the denomination of 'Lakers' and the Lake School. Coleridge appeared before the world as an author for the first time in 1796, and soon afterwards published separately his 'Ode to the Departing Year,' in 1797, the poem entitled 'France,' 1798, his 'Fears in Solitude: and after having translated Schiller's Wallenstein, he associated as a poet and author with Wordsworth, in an edition of whose works appeared COLERIDGE. several of his compositions. Coleridge has not given us an extensive collection of poetry, but what he has written is of exquisite beauty and high poetical worth; it only lacks quantity to make him the greatest poetical writer of his day: but although he possessed an immense stock of materials, yet he seems to have left everything unfinished. He died in 1834. Of his poetical works we may mention The ancient Mariner,' 'Christabel,' 'Love,' 'Foster-Mother's Tale,' 'Dejection,' 'The Nightingale. His prose works embrace the subjects,— theology, history, politics, the principles of society, literature and its criticism, logic and metaphysics, and of them may be mentioned the following: The Friend,' Lay Sermons,' 'Aids to Reflection,' &c., but they all convey the same idea of incompleteness. Coleridge lived in the future, and always seems to have thought he would have time to give a finishing stroke to them at some future period. And he shone bright, and on the right Higher and higher every day, The bride hath paced into the hall, Red as a rose is she; Nodding their heads before her goes The Wedding-Guest he beat his breast, And thus spake on that ancient man, And now the storm-blast came, and he 30 35 40 And listens like a three years' child: He struck with his o'ertaking wings, The Mariner hath his will. And chased us south along. The ship was cheered, the harbour cleared, The ship drove fast, loud roared the blast, Merrily did we drop Below the kirk, below the hill, The sun came up upon the left, 50 And now there came both mist and snow, 25 And ice, mast-high, came floating by, And forward bends his head, And southward aye we fled. |