Lectures on Rhetoric and Belles Lettres: Chiefly from the Lectures of Dr. BlairRobinson & Franklin, 1838 - 360 sider |
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Side 19
... unity of action in dramatic and epic compo- sitions , were not rules first discovered by logical reasoning , and then applied to poetry ; but they were drawn from the practice of Homer and Sophocles : they were founded upon observing ...
... unity of action in dramatic and epic compo- sitions , were not rules first discovered by logical reasoning , and then applied to poetry ; but they were drawn from the practice of Homer and Sophocles : they were founded upon observing ...
Side 87
... Unity . 3. Strength . 4. Harmony . What is the style coupé ; and what example is given of it ? Whose man- ner of writing is this ; and what does it suit ? What is farther observed of these different styles ; and why should they , in ...
... Unity . 3. Strength . 4. Harmony . What is the style coupé ; and what example is given of it ? Whose man- ner of writing is this ; and what does it suit ? What is farther observed of these different styles ; and why should they , in ...
Side 91
... unity . This is a capital pro- perty . The very nature of a sentence implies one proposi- tion to be expressed . It may , indeed , consist of parts ; but these parts must be so closely bound together , as to make the impression upon the ...
... unity . This is a capital pro- perty . The very nature of a sentence implies one proposi- tion to be expressed . It may , indeed , consist of parts ; but these parts must be so closely bound together , as to make the impression upon the ...
Side 92
... unity of sentences , is , to keep clear of all parentheses in the middle of them . These may , on some occasions , have a spirited appearance ; as prompted by a certain vivacity of thought , which can glance happily aside , as it is ...
... unity of sentences , is , to keep clear of all parentheses in the middle of them . These may , on some occasions , have a spirited appearance ; as prompted by a certain vivacity of thought , which can glance happily aside , as it is ...
Side 93
... Unity . a . The scene not to be changed . b . Distinct subjects not to be introduced in the same sentence . c . Parentheses in the middle of sentences to be avoid- ed . d . Sentences to be brought to a full and perfect close . What is ...
... Unity . a . The scene not to be changed . b . Distinct subjects not to be introduced in the same sentence . c . Parentheses in the middle of sentences to be avoid- ed . d . Sentences to be brought to a full and perfect close . What is ...
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Lectures on Rhetoric and Belles Lettres: Chiefly from the Lectures of Dr. Blair Hugh Blair,Abraham Mills Ingen forhåndsvisning - 2015 |
Almindelige termer og sætninger
abound action advantage Æneid Æschylus agreeable ancient appear arguments attention beauty characters chiefly Cicero circumstances comedy composition concise considered criticism degree Demosthenes discourse distinct distinguished effect elegant eloquence employed English English language epic poem epic poetry Euripides example exhibit expression fancy farther figure frequently genius give grace Greek hearers Hence Homer human ideas Iliad illustration follows imagination imitation instance kind language LECTURE Lusiad manner means ment merit metaphors mind modern moral narration nature never objects observed orator ornament passion pastoral pastoral poetry peculiar perspicuity Pharsalia pleasure poet poetical poetry proceed proper propriety prose public speaking qualities Quintilian racters reason remark follows remark illustrated render requisite respect rule scene sense sensible sentence sentiments simplicity Sophocles sound speaker species speech strength style sublime syllables Tacitus taste tence Theocritus thing thought Thucydides tion tragedy treat unity variety verbs verse Virgil Voltaire words writing
Populære passager
Side 302 - I hear the far-off curfew sound Over some wide-watered shore, Swinging slow with sullen roar ; Or, if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach Light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm...
Side 305 - O SING unto the LORD a new song: Sing unto the LORD, all the earth.
Side 305 - Give unto the Lord the glory due unto his name: bring an offering, and come into his courts. O worship the Lord in the beauty of holiness: fear before him, all the earth.
Side 32 - Commander ; he, above the rest In shape and gesture proudly eminent, Stood like a tower ; his form had yet not lost All her original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured...
Side 103 - I shall detain you no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side, that the harp of Orpheus was not more charming.
Side 301 - Than those of age ; thy forehead wrapt in clouds, A leafless branch thy sceptre, and thy throne A sliding car indebted to no wheels, But urged by storms along its slippery way ; I love thee, all unlovely as thou seemest, And dreaded as thou art.
Side 170 - Our imagination loves to be filled with an object, or to grasp at any thing that is too big for its capacity. We are flung into a pleasing astonishment at such unbounded views, and feel a delightful stillness and amazement in the soul at the apprehension of them.
Side 308 - The God of Israel said, the Rock of Israel spake to me, He that ruleth over men must be just, ruling in the fear of God ; and he shall be as the light of the morning, when the sun riseth, even a morning without clouds ; as the tender grass springing out of the earth by clear shining after rain.
Side 125 - Why hast thou then broken down her hedges, so that all they which pass by the way do pluck her ? The boar out of the wood doth waste it, and the wild beast of the field doth devour it.
Side 101 - And when we look upon their machines, Homer seems like his own Jupiter, in his terrors, shaking Olympus, scattering the lightnings, and firing the heavens; Virgil, like the same power, in his benevolence, counselling with the gods, laying plans for empires, and ordering his whole creation.