Fra bogen
Resultater 1-3 af 7
Side 15
The walls are painted white and there is good illumination from tall , old - fashioned windows ( blinds up ) and ... is looked at should be parallel to plane of screen — back of a cage , face of an oscilloscope , wall surface with ...
The walls are painted white and there is good illumination from tall , old - fashioned windows ( blinds up ) and ... is looked at should be parallel to plane of screen — back of a cage , face of an oscilloscope , wall surface with ...
Side 17
Cut to flat - on view of the desk wall as Kieffer returns , takes an immaculate lab coat from his attaché case , unfolds it and puts it on . He walks down the aisle between the animal cages toward the camera , making small adjustments ...
Cut to flat - on view of the desk wall as Kieffer returns , takes an immaculate lab coat from his attaché case , unfolds it and puts it on . He walks down the aisle between the animal cages toward the camera , making small adjustments ...
Side 31
He didn't move , kept his body wrapped in the elegance of the morning bed , and just shifted his eyes off the patterned wall into the window . Judy was gone . Every morning , somehow , she managed to wake before Cooper and slip away ...
He didn't move , kept his body wrapped in the elegance of the morning bed , and just shifted his eyes off the patterned wall into the window . Judy was gone . Every morning , somehow , she managed to wake before Cooper and slip away ...
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
Andre udgaver - Se alle
Almindelige termer og sætninger
Ames arms began beside bird black and white body building cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt finished front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaving legs light lines look move neck never night notes object passed past Peter pulled pushed reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder silence slowly smooth snow sound stand starts stepped stood straight Street tall thinking thought thousand Townsend track Translated trees truck trying turned voice Volume walked wall watched whole window