The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 18
... voice , conversational , low volume- but all other noise ceases entirely . TOWNSEND : How many southpaws have we got in this class ? Left - handers ? - A quick general view of the darkened hall shows a good proportion of people with ...
... voice , conversational , low volume- but all other noise ceases entirely . TOWNSEND : How many southpaws have we got in this class ? Left - handers ? - A quick general view of the darkened hall shows a good proportion of people with ...
Side 19
... voice . - ― TOWNSEND : " Now you see that the hope and the desire of returning to the first state of chaos is like the moth to the light , and that the man who with constant longing awaits with joy each new springtime , each new summer ...
... voice . - ― TOWNSEND : " Now you see that the hope and the desire of returning to the first state of chaos is like the moth to the light , and that the man who with constant longing awaits with joy each new springtime , each new summer ...
Side 21
... voice . KATCHEN : No , Ansel has the draft problem solved , all right . The camera continues to zoom in slowly on her face . KATCHEN : ( under her breath , or even voice on sound track without her lips moving at all ) Ansel has very few ...
... voice . KATCHEN : No , Ansel has the draft problem solved , all right . The camera continues to zoom in slowly on her face . KATCHEN : ( under her breath , or even voice on sound track without her lips moving at all ) Ansel has very few ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause Peter pillar poem pulled pushed quintessence road rock rolling ROY SUSSMAN Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom