The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 10
... turning on me , when the light , again , turned red . " You see , that stain belongs there , and that means it is good , or at least appropriate , but not ' too bad . ' Look at it this way : if you were walking down a country road and ...
... turning on me , when the light , again , turned red . " You see , that stain belongs there , and that means it is good , or at least appropriate , but not ' too bad . ' Look at it this way : if you were walking down a country road and ...
Side 30
... turned toward the bed- room , slowly , still held by the scene outside and its time - filled distance of memory . That was the same field , or close enough , where he used to run , summer clad , batting aside the grasses with his ...
... turned toward the bed- room , slowly , still held by the scene outside and its time - filled distance of memory . That was the same field , or close enough , where he used to run , summer clad , batting aside the grasses with his ...
Side 31
... turned and dashed . Leaping the high wooden rail , with his palm . twisting over the rough post top , his feet tucked , he charged home . Cooper had the lights all turned out . He found the edge of the giving mattress with his hand and ...
... turned and dashed . Leaping the high wooden rail , with his palm . twisting over the rough post top , his feet tucked , he charged home . Cooper had the lights all turned out . He found the edge of the giving mattress with his hand and ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause Peter pillar poem pulled pushed quintessence road rock rolling ROY SUSSMAN Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom