The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... track . In the following scenes from The Experiment the former technique is more in evidence , though the latter will be much more important as the situation of Katchen's affair with Townsend and the mental events which lead up to it ...
... track . In the following scenes from The Experiment the former technique is more in evidence , though the latter will be much more important as the situation of Katchen's affair with Townsend and the mental events which lead up to it ...
Side 20
... track is tuning in on at least three separate conversations at once , all of them competing with the music , and the camera always looking at someone or something else whenever the words become distinct enough to make out . A BOY ...
... track is tuning in on at least three separate conversations at once , all of them competing with the music , and the camera always looking at someone or something else whenever the words become distinct enough to make out . A BOY ...
Side 23
... track that was bolted onto the flat steel roof and as soon as the sheep caught , he pushed it away . That was the last one of this batch . The bloody head swiped over his arm . Next to Cooper , on another platform , Sammy worked at the ...
... track that was bolted onto the flat steel roof and as soon as the sheep caught , he pushed it away . That was the last one of this batch . The bloody head swiped over his arm . Next to Cooper , on another platform , Sammy worked at the ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause Peter pillar poem pulled pushed quintessence road rock rolling ROY SUSSMAN Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom