The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 6
... straight into the yellow ball , ignoring its blinding glare , torturing his eyes . But the sharp blaze stung too much , so that he quickly turned away . As if ashamed that he was unable to stand the brilliant rays , he tried again ...
... straight into the yellow ball , ignoring its blinding glare , torturing his eyes . But the sharp blaze stung too much , so that he quickly turned away . As if ashamed that he was unable to stand the brilliant rays , he tried again ...
Side 14
... straight pillars seen at an angle — we are moving straight forward at a slightly increased speed . Drumbeats now normal speed . Same scene is repeated , faster still . Drumbeats like- wise . Scenes are increasingly brighter , still ...
... straight pillars seen at an angle — we are moving straight forward at a slightly increased speed . Drumbeats now normal speed . Same scene is repeated , faster still . Drumbeats like- wise . Scenes are increasingly brighter , still ...
Side 26
... straight nose which did not sit squat within the even circle of his face , but came out , bringing the impression of careful shape with it . And so with his lips which were not thin white man's lips , but were set into a smooth ...
... straight nose which did not sit squat within the even circle of his face , but came out , bringing the impression of careful shape with it . And so with his lips which were not thin white man's lips , but were set into a smooth ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause Peter pillar poem pulled pushed quintessence road rock rolling ROY SUSSMAN Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom