The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... screen is the medium of reaction . It is through identification with the person acted upon on the screen , and not with the person acting , that the film builds up its oscillating power with an audience . This is understood ...
... screen is the medium of reaction . It is through identification with the person acted upon on the screen , and not with the person acting , that the film builds up its oscillating power with an audience . This is understood ...
Side 14
... screen in white , then three separate letters in sequence turn blue , yellow , red . Simultaneously , a dominant chord of three notes on a guitar . Title and sound fade . Screen remains black for two or three seconds . A low throbbing ...
... screen in white , then three separate letters in sequence turn blue , yellow , red . Simultaneously , a dominant chord of three notes on a guitar . Title and sound fade . Screen remains black for two or three seconds . A low throbbing ...
Side 18
... screen indicates an extremely tall figure , rangy and athletic , arms crossed tightly and impatiently . The camera pans slightly as Townsend turns to look at the screen , and we see the back of his shoulders and head - intercepted lines ...
... screen indicates an extremely tall figure , rangy and athletic , arms crossed tightly and impatiently . The camera pans slightly as Townsend turns to look at the screen , and we see the back of his shoulders and head - intercepted lines ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom