The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 26
... road and out across , that he could experience the concept of expanse here . Most roads he knew about ran from object to object , confining themselves to passing through trees , between banks , by houses and signs , never letting on the ...
... road and out across , that he could experience the concept of expanse here . Most roads he knew about ran from object to object , confining themselves to passing through trees , between banks , by houses and signs , never letting on the ...
Side 27
... road because his trees down there were too tall and too thick . Cooper guided the truck alongside the house and let it jounce to a stop . With swift , routine motion , he flipped the key , pushed off the lights , grabbed his lunch pail ...
... road because his trees down there were too tall and too thick . Cooper guided the truck alongside the house and let it jounce to a stop . With swift , routine motion , he flipped the key , pushed off the lights , grabbed his lunch pail ...
Side 32
... road , the ruts caught the tires like tracks and it was easier . The snow wasn't too deep and he could move along the unplowed roads , etching his passing in the smoothness . Today he would have to pay some more on his house , Cooper ...
... road , the ruts caught the tires like tracks and it was easier . The snow wasn't too deep and he could move along the unplowed roads , etching his passing in the smoothness . Today he would have to pay some more on his house , Cooper ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom