The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 4
... object apparently imbedded in her right foot . A pallor overcame his features , and a strange impres- sion passed quickly through his mind : he imagined her stern father standing over him , watching critically with small , piercing eyes ...
... object apparently imbedded in her right foot . A pallor overcame his features , and a strange impres- sion passed quickly through his mind : he imagined her stern father standing over him , watching critically with small , piercing eyes ...
Side 23
... A face that stared without the specifics , without the object of a normal look , but held an empty indifference . A face without postures of emotion or traces of thought , with his head bent far 23 THE SHEEP KILLERS / John H Mitchell,
... A face that stared without the specifics , without the object of a normal look , but held an empty indifference . A face without postures of emotion or traces of thought , with his head bent far 23 THE SHEEP KILLERS / John H Mitchell,
Side 26
... object to object , confining themselves to passing through trees , between banks , by houses and signs , never letting on the distance they covered . This was Cooper's interesting road that finally reached high enough to leave behind ...
... object to object , confining themselves to passing through trees , between banks , by houses and signs , never letting on the distance they covered . This was Cooper's interesting road that finally reached high enough to leave behind ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom