The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 5
... night , looking out over the barely visible sea . Although Peter's eyes were focused on the water along with Candy's , he was only faintly aware of the waves rolling in . For his arms were holding her , and his cheek felt her hair ...
... night , looking out over the barely visible sea . Although Peter's eyes were focused on the water along with Candy's , he was only faintly aware of the waves rolling in . For his arms were holding her , and his cheek felt her hair ...
Side 6
were concerned only with the night . Even the grip of his arms could not release her from the sea's captive world . That night , they had discussed what it meant to love , and Peter had told her that she was too involved with herself to ...
were concerned only with the night . Even the grip of his arms could not release her from the sea's captive world . That night , they had discussed what it meant to love , and Peter had told her that she was too involved with herself to ...
Side 11
... pressed between us this one night ; and all that's left in the humid bed is the bitter rind of what we said . BART TEUSH BART TEUSH SHOOTING SCRIPT : THE EXPERIMENT The following pages represent the 11 LOVE LIKE A LEMON / Bart Teush.
... pressed between us this one night ; and all that's left in the humid bed is the bitter rind of what we said . BART TEUSH BART TEUSH SHOOTING SCRIPT : THE EXPERIMENT The following pages represent the 11 LOVE LIKE A LEMON / Bart Teush.
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom