The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 5
... look upset . " Her lips did not move , but words tumbled out tonelessly . " Nothing's wrong . Why should I be upset ? " " I don't know . You just look upset . Does your foot hurt ? " Candy's eyes rested on a puffy cloud , which appeared ...
... look upset . " Her lips did not move , but words tumbled out tonelessly . " Nothing's wrong . Why should I be upset ? " " I don't know . You just look upset . Does your foot hurt ? " Candy's eyes rested on a puffy cloud , which appeared ...
Side 13
... look just silly in color . It follows from all this that the differences between black and white and the various kinds of color can be used to formal advantage in heightening the suggestion of differing states of mind 13.
... look just silly in color . It follows from all this that the differences between black and white and the various kinds of color can be used to formal advantage in heightening the suggestion of differing states of mind 13.
Side 18
... look on Katchen's face she is obviously pleased with this form of attention from Townsend , a pleasure disproportionate to the impersonal nature of Townsend's question . - TOWNSEND : ( voice only we see only the slide projection ) Inter ...
... look on Katchen's face she is obviously pleased with this form of attention from Townsend , a pleasure disproportionate to the impersonal nature of Townsend's question . - TOWNSEND : ( voice only we see only the slide projection ) Inter ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom