The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 10
... light changed . And I growled , " So ? " And he whined , " because there's no time nor money where I want to go ! " And he stayed parked at the intersection , ignoring the green light and me . A bird flew over the cab , a white sea bird ...
... light changed . And I growled , " So ? " And he whined , " because there's no time nor money where I want to go ! " And he stayed parked at the intersection , ignoring the green light and me . A bird flew over the cab , a white sea bird ...
Side 18
... light the scene has turned to full color since the da Vinci portrait was flashed on the screen , but the sole source of light is reflected from the yellow projection , so that the difference in color value is not remarkable . ) There is ...
... light the scene has turned to full color since the da Vinci portrait was flashed on the screen , but the sole source of light is reflected from the yellow projection , so that the difference in color value is not remarkable . ) There is ...
Side 26
... light their two stake trucks and three red Farmal tractors stood neglected , and the lighted downstairs windows stared like warm eyes out over the opposite valley . And the valley made it really interesting . Here the fields slid away ...
... light their two stake trucks and three red Farmal tractors stood neglected , and the lighted downstairs windows stared like warm eyes out over the opposite valley . And the valley made it really interesting . Here the fields slid away ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom