The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 12
... inside . - The Experiment is intended to run for about a half - hour . These opening brief scenes are devoted almost entirely to introducing the principal characters ; to do this , the film calls upon the less - than - admi- rable ...
... inside . - The Experiment is intended to run for about a half - hour . These opening brief scenes are devoted almost entirely to introducing the principal characters ; to do this , the film calls upon the less - than - admi- rable ...
Side 27
... inside to shut the door . Young , quick little Judy stood back from the door beneath the hall light restraining herself happily , hands spread stiff on each thigh pulling her apron across them . When Cooper had gotten inside she jerked ...
... inside to shut the door . Young , quick little Judy stood back from the door beneath the hall light restraining herself happily , hands spread stiff on each thigh pulling her apron across them . When Cooper had gotten inside she jerked ...
Side 33
... bodies leapt and bobbed frantic . Sammy began to laugh and Cooper kicked again and then , as the last sheep darted inside , he kicked once more . JOHN H. MITCHELL , JR . NOTES ON CONTRIBUTORS : WILLIAM R. FREEMAN , a freshman 33.
... bodies leapt and bobbed frantic . Sammy began to laugh and Cooper kicked again and then , as the last sheep darted inside , he kicked once more . JOHN H. MITCHELL , JR . NOTES ON CONTRIBUTORS : WILLIAM R. FREEMAN , a freshman 33.
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom