The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 15
... impression of the room by larger shots which interrelate two or more previously shown details , until finally a whole wall is seen , then another , etc. The rhythm is governed by some fairly prominent element of the noise background ...
... impression of the room by larger shots which interrelate two or more previously shown details , until finally a whole wall is seen , then another , etc. The rhythm is governed by some fairly prominent element of the noise background ...
Side 26
... impression of careful shape with it . And so with his lips which were not thin white man's lips , but were set into a smooth continuity with boneless cheeks and heavy chin . Cooper con- sidered his short mustache a playful addition and ...
... impression of careful shape with it . And so with his lips which were not thin white man's lips , but were set into a smooth continuity with boneless cheeks and heavy chin . Cooper con- sidered his short mustache a playful addition and ...
Side
... impression lasted long after Sunday afternoon because he had read the books which came in the jackets . Are you abreast , well - read inside as well as out ? A convenient check - list follows : JOLLY , a novel by John Weston . $ 4.50 ...
... impression lasted long after Sunday afternoon because he had read the books which came in the jackets . Are you abreast , well - read inside as well as out ? A convenient check - list follows : JOLLY , a novel by John Weston . $ 4.50 ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom