The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 5
... holding her , and his cheek felt her hair tumbling down ; he was conscious only of her presence beside him . But he saw that , unlike him , she was wholly given over to the view . Her eyes were fixed on the dark sea , oblivious to him ...
... holding her , and his cheek felt her hair tumbling down ; he was conscious only of her presence beside him . But he saw that , unlike him , she was wholly given over to the view . Her eyes were fixed on the dark sea , oblivious to him ...
Side 17
... holding her pencil . These two shots are no longer black and white , but are monochromatic on sepia stock . Repeat shot of the note - paper- the drawing is now fairly com- plete , and Katchen's hand returns to add a tall , shadowed ...
... holding her pencil . These two shots are no longer black and white , but are monochromatic on sepia stock . Repeat shot of the note - paper- the drawing is now fairly com- plete , and Katchen's hand returns to add a tall , shadowed ...
Side 24
... holding his work with one hand , Sammy reached for a hook . The hook caught the rope and Sammy released the sheep to let it drop , then dangle , a frantic flurry of movement and coughs , above the wet floor . They hung fifteen sheep in ...
... holding his work with one hand , Sammy reached for a hook . The hook caught the rope and Sammy released the sheep to let it drop , then dangle , a frantic flurry of movement and coughs , above the wet floor . They hung fifteen sheep in ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom