The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 12
... detail ; this attention to detail , however , should not be taken too literally as a description of the relative importance of the various elements in the film . In other words , these pages are not really an excerpt from a shooting ...
... detail ; this attention to detail , however , should not be taken too literally as a description of the relative importance of the various elements in the film . In other words , these pages are not really an excerpt from a shooting ...
Side 15
... detail shots in alternation , as two - dimensional as possible ( i.e. , most prominent plane of whatever is looked at should be parallel to plane of screen - back of a cage , face of an oscilloscope , wall surface with charts and pinned ...
... detail shots in alternation , as two - dimensional as possible ( i.e. , most prominent plane of whatever is looked at should be parallel to plane of screen - back of a cage , face of an oscilloscope , wall surface with charts and pinned ...
Side 19
... detail , reflected by vertical marble slabs . We are inside a restau- rant , My Brother's Place , looking at piece of the store front through the window , which reflects the art gallery facade on Chapel Street . The camera swish - pans ...
... detail , reflected by vertical marble slabs . We are inside a restau- rant , My Brother's Place , looking at piece of the store front through the window , which reflects the art gallery facade on Chapel Street . The camera swish - pans ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause Peter pillar poem pulled pushed quintessence road rock rolling ROY SUSSMAN Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom