The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 15
... desk at one wall . ( He thus forms an axis for the various larger views of the lab . ) He is recording figures on a pad of foolscap , which he gets from an oscilloscope and a counter on the face of a small computer . Waste basket ...
... desk at one wall . ( He thus forms an axis for the various larger views of the lab . ) He is recording figures on a pad of foolscap , which he gets from an oscilloscope and a counter on the face of a small computer . Waste basket ...
Side 16
... desk ( located against the wall at right angles to Ames ' desk ) . AMES : Morning , Ansel . 8:30 already ? The last part of this line is said over the oscilloscope screen , which goes dead as Ames switches it off . Kieffer glances at ...
... desk ( located against the wall at right angles to Ames ' desk ) . AMES : Morning , Ansel . 8:30 already ? The last part of this line is said over the oscilloscope screen , which goes dead as Ames switches it off . Kieffer glances at ...
Side 17
... desk , as Ames leans back and rests one ham on the far corner of the desk . Kieffer's reaction to this is slightly annoyed - we do not see Ames ' face . - AMES : Do me favor and check the scope every hour or so you don't have to run any ...
... desk , as Ames leans back and rests one ham on the far corner of the desk . Kieffer's reaction to this is slightly annoyed - we do not see Ames ' face . - AMES : Do me favor and check the scope every hour or so you don't have to run any ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom